“Applied theoretical chemistry” is the way Professor Roald Hoffmann likes to characterize the particular blend of computations stimulated by experiment and the construction of generalized models, of frameworks for understanding, that is his contribution to chemistry. The pedagogical perspective is very strong in his work.
Notable at the same time is his reaching out to the general public; he participated, for example, in the production of a television course in introductory chemistry titled “The World of Chemistry,” shown widely since 1990. And, as a writer, Hoffmann has carved out a land between science, poetry, and philosophy, through many essays and three books, Chemistry Imagined with artist Vivian Torrence, The Same and Not the Same and Old Wine (translated into six languages), New Flasks: Reflections on Science and Jewish Tradition, with Shira Leibowitz Schmidt.
Hoffmann is also an accomplished poet and playwright. He began writing poetry in the mid-1970s, eventually publishing the first of a number of collections, The Metamict State, in 1987, followed three years later by Gaps and Verges, then Memory Effects (1999), Soliton (2002), and most recently, in Spanish, Catalista. He has also co-written a play with fellow chemist Carl Djerassi, entitled Oxygen, which has been performed worldwide, translated into ten languages. A second play by Roald Hoffmann, Should’ve, had its initial workshop production in Edmonton, Canada in 2006.
Unadvertised, a monthly cabaret Roald runs at the Cornelia Street Caf in Greenwich Vilage, “Entertaining Science,” has become the hot cheap ticket in NYC.